In the Field Between Us by Molly McCully Brown and Susannah Nevison (Persea books 2020)
Reviewed by Joanna Currey
Once, in college, I had a long conversation in the middle of a sidewalk with a friend about whether stories could be considered the basic building blocks of human experience, like an abstract counterpart to molecules. Story is how people make sense of the past and dream about the future. It structures how we have conversations, how we understand relationships, how we share memories, and how we build identities. By organizing pieces of information into story, that information gains meaning, and the protagonists of those stories gain purpose and trajectory— things I and the people I know need to avoid living in a perpetual state of existential breakdown.
This is our first reading round-up! Hurray! And after the outpouring of support (and content!) from our community these last few months, we can’t think of a more fitting theme for our first collection of micro-reviews than LOVE.
In this month’s round-up, we’re sharing love stories — stories of queer love, brown and black love, parental love, self-love, love of home. These books teach us that love is sticky and uncertain. Sometimes, it is colored by bias and political violence. Sometimes, we don’t have the language for it. Sometimes, it is wrapped in a heavy blanket of grief. But no matter what shape love takes, the Drizzle team believes that love is valuable. Love stories are valuable. After all, as contributor Katie Centabar wrote in her review of Get a Life Chloe Brown: “In these tough times, we all need love.”
77 by Guillermo Saccomanno, trans. by Andrea G. Labinger (Open Letter 2019)
Reviewed by Allison McCausland
Fear makes people do crazy things. When a country is in turmoil politically, its hard to distinguish the clear-cut actions of people as heroic or survivalist. In the case of Professor Gomez, the protagonist of Guillermo Saccomanno’s latest translated work, 77, he acts as more of an active bystander, drawing in the reader through his retrospective narration of his time in Buenos Aires during the Jorge Videla coup d’état in 1977. Saccomanno captures the uncertainty and day-to-day dangers of living in this era with visceral scenes and inner longing for a better life. Translator Andrea G. Labinger keeps the rhetoric in line with Saccomanno’s vision to ground readers in both terrifying and startlingly mundane situations.
This Will Be My Undoing by Morgan Jerkins (Harper Perennial 2018)
Reviewed by Janyce Wardlaw
Morgan Jerkins has put her crafty finger on everything it is to be a black woman in her collection of essays, This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America. Each essay is a raw anecdote revealing to the untrained heart what the world has infused into a black girl to make her want to be white, question all she knows to be true, or doubt her worth. All the hot buttons are pushed for us in these pages, as Jerkins pulls back the curtain on sexuality, men, hair, Black Girl Magic, and much more.
Ugly Feelings by Sianne Ngai (Harvard University Press 2007)
Reviewed by Ingrid Carabulea
The power of literary criticism lies in its ability to shape the way we view texts and engage with the world, often through the use of analytical lenses like psychoanalysis, feminism, etc. Ugly Feelings by Sianne Ngai, however, asks that we view texts through an emotional lens, a focus not often emphasized in literary criticism.
Mexican Gothic by Silvia Moreno-Garcia (Del Ray Books 2020)
Reviewed by Summer A.H. Christiansen
Silvia Moreno-Garcia’s latest novel, Mexican Gothic is one feminist horror story you will not want to miss. The reader invests immediately in the heroine of the novel, Noemí. She is a 22-year-old socialite who enjoys her lavish life in Mexico City. Beautiful, well-dressed, and quick-witted, Noemi dreams of becoming an anthropologist. Her parents don’t agree with her lifestyle and wish instead she would focus on settling down and finding a husband, or as se sees it: “…she should never have any fun for the sake of having fun, but only as a way to obtain a husband” (6).
A River of Stars by Vanessa Hua (Ballantine Books 2019)
Reviewed by Amaya Hunsberger
Vanessa Hua’s debut novel, A River of Stars, follows the path of Scarlett, a pregnant Chinese woman while the child’s father, Boss Yeung, wishes to do business in America. She is sent to Perfume Bay in San Francisco where she and other pregnant Chinese women will deliver their children in secret in order to ensure American citizenship for their babies. The whole operation is run by Mama Fang, a lucrative entrepreneur. After finding out that her unborn child is a girl, she escapes the facility with a teenager named Daisy, and together they make their way to San Francisco’s Chinatown. There, they rely on the generosity of a new community and their own ingenuity in order to survive.
Bestiary by K-Ming Chang (One World 2020)
Reviewed by A. Mana Nava
Bestiary is a nonlinear, multi-generational experiment exploring how stories are passed down from generation to generation. K-Ming Chang plays with narrative structure by blending the epistolary form, fables, oral storytelling, and close third-person narration. In the narrative, the character Mother tells Daughter a story about a hungry tiger who eats toes to explain why she cut hers off and keeps them in a tin. Then, one day Daughter wakes up with a tiger tail. This novel turns impossible tales of rivers impregnating women, flying crabs, and holes carrying letters across the country into a plausible reality. There is no line between fantasy and reality as the two are brilliantly woven together.
Fighting words by kimberly brubaker bradley (Dial books 2020)
Reviewed by Megan Foster
Fighting Words is the newest middle grade novel by Kimberly Brubaker Bradley, best known for her Newbery Honor-winning novel The War That Saved My Life. I’ve always attested that its sequel, The War I Finally Won, is even better, but Fighting Words is arguably her best novel by far.
Delicious Nevaeh Roberts, or Della, is all I could ever ask for in a protagonist: tough and street smart, empathetic and kind, proud of her loud mouth and lobbed curses. She’s the kind of girl who’ll draw a mustache and devil horns on a princess, then defend her bullied friend. Della and her sixteen year old sister, Suki, have had to be tough after years of living with their mother’s boyfriend, Clifton, who finally did something so bad they had to get out quick. With their mother in jail states away, the two must navigate foster care while memories of Clifton continue to haunt them both. Della continually looks to Suki as her protector, but when Suki attempts suicide, Della has a terrible, earth-shattering revelation: who’s protecting Suki?