In her latest novel, Searching for Sylvie Lee, author Jean Kwok draws on deep personal experience to find inspiration for her work. Searching for Sylvie Lee, begins with a heartfelt dedication to Kwok’s brother, who tragically passed away in an airplane crash after going missing for one week. Kwok channels her family’s pain, grief, and experience into the premise of her novel. After traveling from New York to the Netherlands to care for her dying grandmother, Sylvie Lee goes missing. Her younger sister, Amy, retraces Sylvie’s footsteps in hopes of finding the truth of what happened to her, discovering deep family secrets along the way. The novel examines significant themes like prejudice, immigration, secrets, and societal expectations, but the idea of family and familial love takes center stage.
Slow burn stories rarely find their place in modern storytelling. It is even rarer when a slow burn has so much thought and detail in its world-building that it warrants dissection of the most minute details. The novel Vagabonds by Hao Jingfang achieves this feat by taking its time revealing Jingfang’s extensive research of physics, economics, and social systems.
C Pam Zhang’s debut novel, How Much of These Hills Is Gold, follows a Chinese-American family without a name. Ma, Ba (father), Lucy, and Sam are immigrant, migrant, and the children thereof.
Divided into four a-chronological sections, the novel spans America’s Gold Rush Era. In Part One, Ba is dead, “And long gone, Ma.” But for Ba’s body and a stolen horse, Lucy and Sam are destitute when they set out to bury their father properly. While Lucy wills every step to take her away from her past, toward a white lace dress and civilization, Sam carries a disparate inheritance and disparate dreams. Begun as a journey to stay a spirit, the siblings take up the mantle of their parents’ search for self and home.
Asian-American literature is finally having its moment in the United States. In the past four years, books such as Min Jin Lee’s, Pachinko and Ocean Vuong’s, On Earth We Are Briefly Beautiful have made their way to the New York Times Top Ten Book of the Year lists and have been nominated for a variety of prestigious awards.
As readers, Americans are hungry for new voices in Asian-American literature. While Amy Tan and Haruki Murakami have been the exception rather than the trend, there has been very little representation of voices in contemporary literature. However, authors like E.J. Koh are finally changing things.
Tales have passed down between generations for as long as mankind has been alive. These stories helped infuse the foundation of different cultures. Some tell of missing beans and talking animals, while others mention the nightly selection of new brides. And some tell of gingerbread.
Lying, a title for a memoir, why? Don’t we read personal chronicles for true, reveal-all accounts of the authors who pen them? Are we to believe what Lauren Slater writes here? Or discount it? What’s the significance of Slater’s subtitle, A Metaphorical Memoir? Before I turned to the first page, my head swirled. Off-balance, dizzy with uncertainty, I wondered what kind of reading adventure awaited.
During such turbulent times, it is important to have a sense of humor. The juxtaposition of comedy and tragedy has never been as eloquent as in James McBride’s latest novel, Deacon King Kong. McBride’s follow up to his National Book Award winning The Good Lord Bird draws on the same wit and humor as the author observes and records the human condition.
I’ve only ever had two lovers. I think people have loved me in between, and if it were up to me, I’d count my mother and father as lovers as well. Theirs has been the most torturous, beautiful, love of them all. But we are not counting mothers and fathers.
Time for another feature by your friend who always has great romance recommendations that are somehow never smutty and always nuanced! In these tough times, we all need love (*insert a cliche here about how necessary love and romance is – especially now*). But really, it is and we do.