reviews

Review: Forward: 21st Century Flash Fiction by Megan Giddings

| Rebecca Valley

Forward: 21st Century Flash Fiction by Megan Giddings (Aforementioned Productions, 2019)

Reviewed by Nora Poole

So often, a collection or anthology sets out to represent the best writing of a given form, genre, or year: Best American This, Best Collected That. Not so in the case of Forward: 21st Century Flash Fiction (Aforementioned Productions, 2019), a collection of short short fiction by writers of color, edited by Megan Giddings.“I’m not really a person who believes in bests,” she explains in her editor’s note. “The point [of this collection] is to show off how many ways a very short story can be written[…], to show that there are many writers out there engaging with the incredible elasticity of flash fiction.”

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Review: Five Midnights by Ann Dávila Cardinal

| Rebecca Valley

Five Midnights by Ann Davila Cardinal (Tor, 2019)

Reviewed by Maayan D’Antonio

16-year-old Lupe Dávila is a bi-ethnic “Gringa-Rican” from Vermont on her way to spend the summer in Puerto Rico with her father’s family. Only this time she is going alone, as her father has decided to stay behind. Lupe is desperate to experience Puerto Rico without the constraints of her uncle, the police chief, who is in the middle of a very perplexing murder case. And though he and Lupe often discuss his cases, as they both share a love of solving murders, this time he refuses to talk with her about it.

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Review: The Gravity of Us by Phil Stamper

| Rebecca Valley

The Gravity of Us by Phil Stamper (bloomsbury 2020)

Reviewed by Madeleine Nowak

If I really wanted to do Phil Stamper’s debut YA novel The Gravity of Us justice, I’d pull out my phone and video myself live walking through the streets of New York City while I shared my thoughts with you. To review the book this way would be the best homage to Cal, the wonderful narrator Stamper has crafted, a social-media-savvy, budding seventeen year-old reporter from Brooklyn who suddenly finds himself transplanted to Clear Lake, Texas when his dad is picked as an astronaut candidate for NASA’s first mission to Mars. In Clear Lake, Cal is pulled away from everything he loves from Brooklyn, but unexpectedly brought closer to Leon, the son of another astronaut and the perfect love match for Cal.

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Review: Evidence of V by Sheila O'Connor

| Rebecca Valley

Evidence of V: A Novel in Fragments, Facts, and Fictions by Sheila O’Connor (Rose Metal Press, 2019)

Reviewed by Rebecca Valley

We are not taught to think of women in prison. The cells which contain women, we are told, are physical, social – women are victims, and men their assailants. Like so much gendered terminology, we have prisons, and then we have women’s prisons. As if an afterthought, as if a near impossibility that a woman might have the ability, the audacity to act against the norm. Have we not, we ponder, created enough of a cage for women out of invisible walls – out of the nuances of our socially constructed expectations, exploitations? And what to do with a girl who is not considerate of the walls we have put up for her? What to do with a girl who wants something else?

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Review: Sea, Land, Shadow by Kazuko Shiraishi

| Rebecca Valley

Sea, Land, Shadow by Kazuko Shiraishi, trans. by Yumiko Tsumara (New Directions Books, 2017)

Reviewed by Clara Guyton

Nicknamed “the Alan Ginsberg of Japan” by Kenneth Rexroth, Kazuko Shiraishi brings readers a sight-seeing drive through the mystical mountains of Japan in her collection Sea, Land, Shadow, complete with sharp turns and curves, moments of awe-inspiring depth and darkness, and instants of effervescent lightheartedness.

“on a mountain road in a traffic jam

I have poetry, so I’m fine…” (8)

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From Ecocide to Ecopoetics: Can Poetry Save Us From Ourselves? by Leonora Simonovis

| Rebecca Valley

From Ecocide to Ecopoetics: Can Poetry Save Us From Ourselves?

Written by Leonora Simonovis

In his essay “The Language of the Master,” Paul Kingsnorth argues that language is a form of ecocide because it creates a divide between us and our surrounding reality. The author  observes that language “is both our most effective tool and our most powerful weapon.” It can be –and has been– used to manipulate and control others, as well as to impose worldviews and ways of living. It was what colonizers in the Western hemisphere did, and many of the official languages spoken today are living proof of this fact. They have been legitimized and validated, while other languages –indigenous and creole languages, for example– are either in danger of becoming extinct or only spoken at home.

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Review: The Choice by Dr. Edith Eva Eger

| Rebecca Valley

The Choice: Embrace the Possible by Dr. Edith Eva Eger (Scribner 2017)

Reviewed by Patricia Steckler

I’d sworn off Holocaust stories permanently. Or so I thought. Twenty-five years ago, Schindler’s List, Stephen Spielberg’s film, nearly did me in. Soon thereafter, I burst into tears in the lobby of the Holocaust Museum in Washington, DC, before even picking up admission tickets. Thousands of pairs of shoes taken from murdered prisoners at the Majdanek concentration camp, displayed in the museum’s lobby, felt crushing.

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Review: Northwood by Maryse Meijer

| Rebecca Valley

Northwood by Maryse Meijer (Catapult, 2018)

Reviewed by Michelle Mitchell-Foust

Where to begin? Some novels, upon first reading, begin a return.

The return I make when I read Maryse Mejia’s Northwood unravels as I keep reading. I am driven to return to a place and time, to a person, not merely to remember. And I am driven to “answer” the novel….

One “answer” to the novel Northwood is a return to a bundle of leaves, a bundle of love letters.

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