The Collected Schizophrenias by Esme Weijun Wang (Graywolf Press 2019)
Reviewed by Claudine Mininni
Esmé Weijun Wang’s illuminating essay collection, The Collected Schizophrenias, details her tumultuous relationship with schizoaffective disorder. In her opening essay, “Diagnosis,” Wang writes:
Schizophrenia terrifies. It is the archetypal disorder of lunacy. Craziness scares us because we are creatures who long for structure and sense; we divide the interminable days into years, months and weeks.
How Much of These Hills Is Gold by C Pam Zhang (Riverhead Books 2020)
Review by Lane Berger
C Pam Zhang’s debut novel, How Much of These Hills Is Gold, follows a Chinese-American family without a name. Ma, Ba (father), Lucy, and Sam are immigrant, migrant, and the children thereof.
Divided into four a-chronological sections, the novel spans America’s Gold Rush Era. In Part One, Ba is dead, “And long gone, Ma.” But for Ba’s body and a stolen horse, Lucy and Sam are destitute when they set out to bury their father properly. While Lucy wills every step to take her away from her past, toward a white lace dress and civilization, Sam carries a disparate inheritance and disparate dreams. Begun as a journey to stay a spirit, the siblings take up the mantle of their parents’ search for self and home.
No Visible Bruises: What We Don’t Know about Domestic Violence Can Kill Us by Rachel Louise Snyder
Reviewed by LaVonne Roberts
Sometimes a book comes along and, long after it is absorbed, nothing is the same. Rachel Louise Snyder’s No Visible Bruises demands that we have a conversation about an insidious national epidemic—domestic violence. Ms. Snyder reports, domestic violence, or “intimate partner terrorism,” as she prefers, is “among the most difficult of subjects to report on” because it’s “vast and unwieldy, but it’s also utterly hidden.” It’s like no other crime because it’s intimate— committed by someone who’s supposed to love you in the one place you’re supposed to be safe— your home.
The Memory Police by Yoko Ogawa, trans. by Stephen Snyder (Pantheon 2019)
Reviewed by Rebecca Valley
“’Long ago, before you were born, there were many more things here,’ my mother used to tell me when I was still a child. ‘Transparent things, fragrant things… fluttery ones, bright ones…” (3)
In her essay “Fairy
Tale is Form, Form is Fairy Tale,” author Kate Bernheimer defines
the fairy tale for a contemporary audience – what fairy tales are
made of, what doors they can open.
“With their flatness, abstraction, intuitive logic, and normalized magic, fairy tales hold a key to the door fiercely locked between so-called realism and nonrealism, convention and experimental-ism, psychology and abstraction. A key for those who see these as binaries, that is.”
On International Women’s Day, the Bailey’s Women’s Prize for Fiction announced their longlist for the 2017 prize. The Bailey’s Prize is one of the most prestigious book prizes awarded in the U.K., and each year they highlight stunning books by contemporary female authors that cover a broad range of themes. Continue reading