This is our first reading round-up! Hurray! And after the outpouring of support (and content!) from our community these last few months, we can’t think of a more fitting theme for our first collection of micro-reviews than LOVE.
In this month’s round-up, we’re sharing love stories — stories of queer love, brown and black love, parental love, self-love, love of home. These books teach us that love is sticky and uncertain. Sometimes, it is colored by bias and political violence. Sometimes, we don’t have the language for it. Sometimes, it is wrapped in a heavy blanket of grief. But no matter what shape love takes, the Drizzle team believes that love is valuable. Love stories are valuable. After all, as contributor Katie Centabar wrote in her review of Get a Life Chloe Brown: “In these tough times, we all need love.”
Ugly Feelings by Sianne Ngai (Harvard University Press 2007)
Reviewed by Ingrid Carabulea
The power of literary criticism lies in its ability to shape the way we view texts and engage with the world, often through the use of analytical lenses like psychoanalysis, feminism, etc. Ugly Feelings by Sianne Ngai, however, asks that we view texts through an emotional lens, a focus not often emphasized in literary criticism.
The Only Good Indians by Stephen Graham Jones (Gallery/Saga Press 2020)
Reviewed by Robert Drinkwater
I was instantly drawn to the premise of Stephen Graham Jones’s book The Only Good Indians. It centered around four Blackfeet men who are haunted by a malevolent entity from an event ten years in the past. It is a story that is full of Blackfeet folklore, tradition, and plenty of blood and gore.
You Exist Too Much by Zaina Arafat (Catapult Press 2020)
Reviewed by Isabella Scala-Natoli
In Zaina Arafat’s debut novel, You Exist Too Much—what some have called a bildungsroman, and a character study—an unnamed D.C. raised Palestinian-American narrator gets dumped by her girlfriend for her chronic infidelity and goes to rehab, then an MFA program. Across America, Europe, and The Middle East, she learns how to shape her life story into a love-story both shattering in impact and fractured in shape. Each place the narrator takes us to is tied to a person, and another manifestation of the same quest. That is, to find a mother—and in effect—a homeland. On this quest, as readers, we experience with the narrator what I can only describe as growing pains. What I got from reading YETM was the chance to bond with a character who by working out her own flaws, made me consequently realize my own. This sounds negative but it isn’t. It was a pleasant awakening. Like suddenly remembering where you know that person from, the one you saw on the bus earlier. You went to college together. Of course! Your dislike of others stems from your own insecurities. Of course!
Heart Berries by Terese Marie Mailhot (Counterpoint 2019)
Reviewed by Yollotl Lopez
Heart Berries by Terese Marie Mailhot is like balloons filled with paint exploding against a white canvas — c. Heart Berries is Mailhot’s debut memoir told in a cyclical narrative touching upon her experience as a writer, mother, mental health patient, and partner all informed by her identity as a First Nations Canadian living in the U.S. It is the story of love, and loss, but most of all it is a story about storytelling. Mailhot writes:
“Things were created by story. The words were conjurers, and ideas were our mothers” (105).
A Ghost in the Throat by Doireann Ní Ghríofa (Tramp Press, 2020)
Reviewed by Allison McCausland
If “cat got your tongue” is the euphemism for not finding your words, then “a ghost in the throat” is its opposite. Author Doireann Ni Ghiofa defines it best in her titular combo of auto-fiction and essay as she explores her need to write about Eibhlin Dubh Ni Chonaill, the eighteenth-century noblewoman and poet of Ireland’s classical keen, Caoineadh Airt Uí Laoghaire. Caoineadh Airt Uí Laoghaire, or The Lament for Art O’Laoghaire, is Chonaill’s account of the romance and death of her husband, and is taught in Ireland’s literature curriculum as one of the greatest poems written in the country’s history. However, Ghiofa points out that this is one of the few texts written by Chonaill herself. How can someone so famous have little to no other accounts written about them? Ghiofa’s book chronicles her search for the story surrounding Chonaill’s life while intertwining her own experience of hardship and motherhood during her years of research. Her prose does its best to put into words the yearning need to give voice to the silenced artists of the past.
The Black Cathedral by Marcial Gala (Farrar, Straus, and Giroux 2020)
Reviewed by Megan Foster
A good man is hard to find, as they say. This is certainly the case in Cuban author Marcial Gala’s The Black Cathedral, a darkly comic novel that buzzes around the Stewart family’s fated arrival to Cienfuegos. Arturo Stewart moves with his wife Carmen and their three children – David King, Samuel Prince, and Johannes – with the express purpose of constructing a titular cathedral to outshine any temple in Cuba and make Cienfuegos the new Jerusalem. It doesn’t take long for the neighborhood to suspect that the Stewarts are not what they seem. Readers must determine whom to trust as the novel rapidly flits through everyone’s point of view but the Stewarts: town gossips, classmates, a school principal, an architect, a drag queen, ghosts, a serial killer. In a town spurred by greed and violence, no one is holier than thou.
Braised Pork by An Yu (Grove Press 2020)
Reviewed by Allison McCausland
It’s easy for the monotony of life to settle in. It lulls us into a false sense of security. It keeps us from recognizing how drained our happiness and sense of self has become. Both circumstances plague protagonist Jia Jia as she struggles to adjust to life in Beijing after her husband’s bizarre death.
The Dragons, The Giant, The Women: A Memoir By Wayetu Moore (Graywolf Press 2020)
Reviewed by Allison McCausland
There is a quote by G.K. Chesterton that goes, “Fairy tales are not told to tell children that dragons exist. Children already know the dragons exist. Fairy tales are told to tell that dragons can be killed.” But what happens when the dragons follow a child throughout their life? Such is the case with author Wayetu Moore in her memoir The Dragons, The Giant, The Women.