Review: Sparrow by Mary Cecilia Jackson

Sparrow by Mary Cecilia Jackson (Tor Teen, 2020)

Reviewed by Maayan D’Antonio

Jackson’s debut novel tells the story of 17-year-old ballerina Savannah Rose—“Sparrow” to her friends and family. Sparrow has been chosen to dance the role of the Swan Queen, with her best friend and dance partner Lucas as the prince. But dancing isn’t Sparrow’s only talent. Her real talent is keeping secrets—a practice distilled into her by her long dead mother.

Continue reading

Review: Endlings by Joanna Lilley

Endlings by Joanna Lilley (Turnstone Press 2020)

Reviewed by Rebecca Valley

“How carefully we preserve the dead and eat the living” (109)

How to write an elegy for animals? Not the ones closest to us, our dogs and cats, chickens, rabbits, the domesticated fauna we use to name and sustain ourselves. How do we write an elegy for the animals we did not save in time; the “endlings,” the final link between past and present? How do we write an elegy for the victims of a murder we won’t even admit we’ve committed?

Continue reading

Review: OBIT by Victoria Chang

OBIT by Victoria Chang (Copper Canyon Press, 2020)

Reviewed by Rebecca Valley

I wrote my first and only obituary in 2018, for my uncle. His name was Thom. He died quite suddenly, at 48, after decade-old cancer cells appeared again in his colon, took over his liver, swallowed him up.

Which is to say that I am no expert in the articulation of existence. And anyway, how do you go about writing a single document that might convey the precious, imperfect, complicated, wonderful nuances of an entire life? For Victoria Chang, the obituary is not just a death notice, but a mode. In her latest collection, OBIT, she asks: What continues to live when someone we love dies? What dies with them?

“I used to think that a dead person’s words die with them. Now I know that they scatter, looking for meaning to attach to a scent” (18)

Continue reading

Review: The White Card by Claudia Rankine

The White Card by Claudia Rankine (Graywolf 2019)

Reviewed by Olivia Cyr

There is perhaps no better political climate in which to revel in a book that explores race in America than the one the country is in now. As both a self-proclaimed feminist with a background in black women’s studies, and a white woman, I find that I am both well-versed on current conversations about race and women and where those intertwine, and also, admittedly, still terribly conditioned to accept and lean on my own white privilege. While I do follow much of the debate on abortion, women’s rights in the workplace, intersectionality, police brutality, immigration, and the unfair treatment of black people, there is still so much I do not know. I wonder often if my own whiteness does not allow for me to see the whole picture. I think many white folks in this country try, as Claudia Rankine’s characters Virginia and Charles appear to do, and think we are doing as much as we can with the resources available. But Rankine makes it apparent that we aren’t, simply because we are white.

Continue reading

Review: This Close to Happy by Daphne Merkin

This Close To Happy: A Reckoning with Depression by Daphne Merkin (Farrar, straus, and giroux 2017)

Reviewed by Patricia Steckler

Not glamorous, not an artistically-hued state of suffering for the more sensitive souls on earth. Not a story that can be told with the dramatic climax and victorious transcendency that characterizes heroic tales. No. Depression is unabated suffering whose victims, often blamed for self-absorption, shunned as social pariahs, writhe in silence. Daphne Merkin, the writer and literary critic, tells her depression tale in the dark memoir, This Close To Happy: A Reckoning With Depression.

Continue reading

"I Want to Write a Book that I Think No One Will Want to Read:" An Interview with Rachel Louise Snyder by LaVonne Roberts

You can find LaVonne’s review of No Visible Bruises here.

Rachel Louise Snyder is a journalist and professor of creative writing at American University. The author of No Visible Bruises—winner of the prestigious 2018 Lukas Work-in-Progress Award from the Columbia School of Journalism and Harvard’s Nieman Foundation—and Fugitive Denim: A Moving Story of People and Pants in the Borderless World of Global Trade. Her writing has appeared in The New Yorker, The
New York Times Magazine, Slate, Salon, The Washington Post, the Chicago Tribune, and the New Republic. Originally from Chicago, she currently lives in Washington, DC.

Continue reading

Review: No Visible Bruises by Rachel Louise Snyder

No Visible Bruises: What We Don’t Know about Domestic Violence Can Kill Us by Rachel Louise Snyder

Reviewed by LaVonne Roberts

Sometimes a book comes along and, long after it is absorbed, nothing is the same. Rachel Louise Snyder’s No Visible Bruises demands that we have a conversation about an insidious national epidemic—domestic violence. Ms. Snyder reports, domestic violence, or “intimate partner terrorism,” as she prefers, is “among the most difficult of subjects to report on” because it’s “vast and unwieldy, but it’s also utterly hidden.” It’s like no other crime because it’s intimate— committed by someone who’s supposed to love you in the one place you’re supposed to be safe— your home.

Continue reading

Review: Hum by Natalia Hero

Hum by Natalia Hero (Metatron Press, 2018)

Reviewed by Summer A.H. Christiansen

As someone who has never really been a fan of magical realism, I will admit I was a bit skeptical when I started reading Hum by Natalia Hero. However, after a few pages, I knew I was reading something special, and my skepticism was misplaced.

Hum is a powerful story that comes in the wake of the #MeToo movement. The novella follows an unnamed young woman as she grapples with her life after being raped. Hero uses the metaphor of giving birth to a hummingbird to illustrate that the effects of trauma are constant and ever present in one’s life.

Continue reading

Review: The Night Tiger by Yangsze Choo

The Night Tiger by Yangsze Choo (Flatiron Books, 2019)

Reviewed by Angela Gualtieri

Some stories tell of rich histories and folklore. Others enchant with forbidden romances and evil foes. Others are filled with emotional turmoil and death. And yet, some stories seem to encompass it all.

Set in 1930s Colonial Malaya (current Malaysia), Yangsze Choo’s The Night Tiger follows an eleven-year-old houseboy named Ren, tasked with fulfilling his dead master’s final wish to find his long-since detached finger. Ren only has 49 days to reunite the finger with its earthly body or his master’s soul will roam the Earth forever. Ji Lin, a young apprentice dressmaker moonlighting as a dancehall girl to pay her mother’s debts, accidentally receives one of her dance partner’s lucky charms: a mummified finger. As Ren and Ji Lin walk their destined paths unknowingly toward each other, a strange series of deaths, dreams of the in-between, and whispers of weretigers force them to fight their demons, both internal and external.

Continue reading