November 2021 Reading Round Up: Fresh Perspectives

This collection of microreviews is a little more eclectic than usual. But these books, which range from history to YA to literary fiction and beyond, share a common thread: the way they ask readers to see the world in new ways. These books offer fresh perspectives through reinvention and retelling, but also by simply narrating from points of view that are rarely heard or respected. This month’s books include a stunning queer retelling of the Peter Pan myth, a genre-bending memoir-cum-historical-treatise on slave revolts, a graphic novel for kids that tackles chronic illness, race, and Latinx culture, and much more. In each story, we are asked to reconsider our old ways of knowing, and make space for new narratives.

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October 2021 Reading Round Up: More Than A Mystery

Everyone love a good puzzle–but in this collection of mysterious microreviews, there’s more to the story than just a carefully woven plot. These four titles take the mystery genre and use it to explore class, gender, race, and revolution. From a man who is searching for the literal woman of his dreams to the subtle tensions between two families–one Black and one white–in apocalyptic Long Island, these stories make you reconsider what the mystery novel can do.

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Review: The Disturbed Girl’s Dictionary by NoNieqa Ramos

The Disturbed Girl’s Dictionary by NoNieqa Ramos (Carolrhoda Lab 2019)

Reviewed by Kathryn Leonard-Peck

In this hybrid review, Leonard-Peck combines poetry and critical reading to map the emotional landscape of this stunning YA novel, which as a 2019 YALSA Best Fiction for Young Adults Selection and a 2018 New York Public Library Best Book for Teens. For more reviews that challenge the form, click here.

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September 2021 Reading Round Up: Emotional Landscapes


In this round of microreviews, we’re focusing on feelings, from one author’s illustrated year with Seasonal Affective Disorder to the complex emotions contained with three generations of an Indian family. These books focus on the emotional landscapes of their subjects–and ultimately advocate for a world in which art, and the complex experiences and emotions it evokes, is inherently valuable.

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Special Feature: A Snail Found Poem

That Life Continues

Humbled by where we are in the scheme of things 

Human time as opposed to some other kind of time

We are all hostages to time

I listened carefully

Thinking about speed and slowness, 

time can feel quick and expansive

I spent a lot of time noticing

tiny, beautifully made arrows of calcium carbonate, 

I could hear it eating.

The velocity of the ill, however, is like the velocity of the snail 

I am going to withdraw from the world

We so often treat things as other

In a box in a box


This poem was created using quotes from the book and notes from our Drizzle Summer Book Club discussion on The Sound of a Wild Snail Eating by Elisabeth Tova Bailey. It was written collaboratively by Patricia Steckler, Claudine Mininni, Sarena Brown, and Rebecca Valley. You can find the writer bios here. To learn more about the book that inspired the poem, check out our micro review.

“Je Reviens”: The Many Faces of Rebecca

“Je Reviens”: The Many Faces of Rebecca

Written by Angela Gualtieri

“Last night I dreamt I went to Manderley again,” starts Daphne du Maurier’s gothic classic, drawing readers into the privileged life of the de Winters and the mysterious circumstances surrounding the death of Maxim de Winter’s first wife, Rebecca (1). Mrs. de Winter, Maxim’s second wife, serves as our eyes as we learn about the house’s inhabitants and customs, unraveling the multiple sides of Manderley and all its occupants. This is especially apparent in the novel’s titular character, Rebecca, although she never appears on the page herself. Rebecca’s larger-than-life presence casts a unique shadow upon each person she encounters. The people who survive Rebecca carry her memories and shape her legacy, not unlike some of history’s famous and forgotten women. As Mrs. de Winter searches for Rebecca’s truth, we begin to understand the impossibility of knowing a person, particularly, a woman, through the many layers of gossip, history, and bias.

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