Ugly Feelings by Sianne Ngai (Harvard University Press 2007)
Reviewed by Ingrid Carabulea
The power of literary criticism lies in its ability to shape the way we view texts and engage with the world, often through the use of analytical lenses like psychoanalysis, feminism, etc. Ugly Feelings by Sianne Ngai, however, asks that we view texts through an emotional lens, a focus not often emphasized in literary criticism.
handiwork by Sara Baume (Tramp Press, 2020)
Reviewed by Allison McCausland
There is an artist inside all of us. The art we create can be subjective, but that does not diminish the time, care, and functionality someone puts into the act of creating. That is just one of the lessons gleamed from Irish author Sara Baume’s nonfiction debut, handiwork. In this short narrative, Baume combines her mediums of sculpting, carving, writing, and photography to illustrate the trials and joys of being an artist. handiwork chronicles her thoughts on the universality of art and its struggles while working on a woodworking series about her fascination with birds. She even treats her readers with the fruits of her carving labors with interspersed photographs of her avian subjects.
“Just Dandy: ” A Review of I’ve Seen the Future and I’m Not Going: The Art Scene and Downtown New York in the 1980s by Peter McGough (Pantheon 2019)
Review by Michael Quinn
Peter McGough and his partner (in business and romance) David McDermott rose to prominence in the 1980s New York art scene. Their paintings have a vintage feel with a contemporary twist (a still life of flowers has the blossoms arranged into the shape of a dollar sign). Their later photography has a much more mysterious feeling, truer to whatever periods they were aping. Mentored by Julian Schnabel, their work appeared in three Whitney Biennials and graced a 1986 cover of Artforum.