Review: Moon: Maps, Letters, Poems by Jennifer S. Cheng

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Moon: Maps, Letters, Poems by Jennifer S. Cheng (Tarpaulin Sky Press, 2018)

Reviewed by Rebecca Valley

At a poetry reading in September at a planetarium on the Amherst College campus, Dorothea Lasky and Alex Dimitrov talked about astrology – in particular, they talked about moons. Our individual moons: closer to us than other planets and yet too far to ever touch, milky and always changing their shape to match the rhythm of months,. Moons in Scorpio, Aries, Leo, Capricorn. Our moons, they told us, are where our poetry comes from. They were sure of this. Continue reading

Review: The Descent of Monsters by JY Yang

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The Descent of Monsters by JY Yang (Tor, 2018)

Reviewed by Carl Lavigne

I have never read a book quite like JY Yang’s, The Descent of Monsters, the third novella in their silkpunk Tensorate series. I have read and loved their first two installments, I have read Victorian epistolary novels, I have imbibed mysteries, thrillers, and other assorted noir, but never something that so successfully wove all these disparate DNAs together. Continue reading

Editor’s Note: On Book Reviews as Service

This summer, I took a bit of a break from Drizzle for many reasons. I had a sudden illness and death in my family that shook everyone I loved. I moved my partner across the country to join me in Massachusetts. It was a good break, and a hard one. It was needed. Perhaps it’s the break or it’s just the drizzly fall weather that has me reflecting on this site and its origins, but now that Drizzle has returned from hiatus in full autumnal swing I wanted to take a moment to think and write about why reviewing books is important, and the role it’s played in my life and that it continues to play in the literary world. Continue reading

Review: Plastic: An Autobiography by Allison Cobb

cobbepcoverPlastic: An Autobiography by Allison Cobb (Essay Press, 2015)

Reviewed by Thomas Chisholm

Allison Cobb isn’t interested in delivering epiphanies to readers. She’s interested in literature that opens a mystery and a sense of wonder, and offers a container for others to experience that opening. Plastic: An Autobiography, embodies that mysterious and wonderful opening. It was published as a free digital download by Essay Press in September 2015. The book is a part of their “EP Series,” (as in extended play) where authors are given extended space and time to develop book-length projects. At the time of publication, Plastic: An Autobiography comprised of half the material Allison Cobb had written at that point. Continue reading

Resistance, Multiplicity, and The Literary Canon: An Interview with Victoria Chang

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Contributing editor Leonora Simonovis interviews poet Victoria Chang about her fourth collection of poems, BARBIE CHANG, out from Copper Canyon Press in 2017. They discuss resistance, the idea of being and representing otherness, the playfulness of poetry, and Chang’s forthcoming collection, which features short obituary poems written after the death of her mother. Continue reading

Review: The Grip of It by Jac Jemc

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The Grip of It by Jac Jemc (FSG Originals, 2017)

Reviewed by Michelle Mitchell-Foust

An old chain spools around a metal pulley next to a swinging kitchen door. The silver chain comes up from somewhere under the wooden living room floor and returns to the same place. When I pull it, it gives a little. On the pulley, three words circle, raised in the brown metal: Closed, Open, and Check. And there is a dial, a hefty metal switch that only moves a centimeter. Other than the give, nothing happens. It’s neat and old and mysteriously low to the ground next to the built-in hutch. An examination of the basement where the chain ends and begins again reveals nothing.

This chain is just one of those objects humans wonder about when they find them after they have moved houses, as I have just done. Continue reading

Review: Royals by Cedar Sigo

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Royals by Cedar Sigo (Wave Books, 2017)

Reviewed by Kim Jacobs-Beck

Cedar Sigo exemplifies a poet who is deeply read and constantly aware of the poetic influences upon him. In Royals, published by Wave Books in late summer 2017, Sigo’s topic is largely the poetic world he inhabits. In fact, the book goes so far as to be meta-poetic—the poems are about creating poetry, conversations with other poets, written to and for poets, and contain allusions to the works of other poets. Poetry as subject is infused into virtually every poem in this book. Continue reading

STICKS: Sunshine State by Sarah Gerard

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Reviewed by Brenna McPeek

Sarah Gerard’s collection of essays Sunshine State reads as an ode to the living, breathing juxtaposition that is the state of Florida.  In her essays (some personal, some journalistic, some a hybrid of the two) she has her authorial finger on the pulse of the people who live there.  She manages to trace the dreams the state breeds, but also pokes holes in these dreams effortlessly and gorgeously, revealing in the process imperfect portraits of humanity trying its best to grapple with The American Dream. Continue reading

STICKS: Maximum Sunlight by Meagan Day

indexMaximum Sunlight by Meagan Day, with photographs by Hannah Klein (Wolfman Books, 2016)

“When Tonopah’s lights appear, I rejoice. I feel I’m alighting on Paris – the streetlamps and the Clown Motel’s flashing marquee bulbs seem astonishingly cosmopolitan. Tonopah is a shaggy little town, but coming in from the desert it looms large, an electric miracle in the annihilating dark.”

In college, I remember an afternoon when a professor of mine, an elegant retired ballerina with a degree in philosophy and a dancer’s walk, turned off all the lights and projected photos of cacti in Death Valley on all four walls of our conical lecture hall. The desert, she said, is a nowhere place. An in-between. It is defined not but what it contains but by what it does not. Continue reading