77 by Guillermo Saccomanno, trans. by Andrea G. Labinger (Open Letter 2019)
Reviewed by Allison McCausland
Fear makes people do crazy things. When a country is in turmoil politically, its hard to distinguish the clear-cut actions of people as heroic or survivalist. In the case of Professor Gomez, the protagonist of Guillermo Saccomanno’s latest translated work, 77, he acts as more of an active bystander, drawing in the reader through his retrospective narration of his time in Buenos Aires during the Jorge Videla coup d’état in 1977. Saccomanno captures the uncertainty and day-to-day dangers of living in this era with visceral scenes and inner longing for a better life. Translator Andrea G. Labinger keeps the rhetoric in line with Saccomanno’s vision to ground readers in both terrifying and startlingly mundane situations.
Mexican Gothic by Silvia Moreno-Garcia (Del Ray Books 2020)
Reviewed by Summer A.H. Christiansen
Silvia Moreno-Garcia’s latest novel, Mexican Gothic is one feminist horror story you will not want to miss. The reader invests immediately in the heroine of the novel, Noemí. She is a 22-year-old socialite who enjoys her lavish life in Mexico City. Beautiful, well-dressed, and quick-witted, Noemi dreams of becoming an anthropologist. Her parents don’t agree with her lifestyle and wish instead she would focus on settling down and finding a husband, or as se sees it: “…she should never have any fun for the sake of having fun, but only as a way to obtain a husband” (6).
Rosewater by Tade Thompson (Orbit 2018)
Reviewed by Stephanie Chariton
British author and psychiatrist Tade Thompson’s stories and shorts have been critically acclaimed worldwide. His debut novel, Rosewater, won both the Nommo Award and the Arthur C. Clarke Award, one of the most prestigious awards in the U.K. Originally published in 2016, the Wormwood trilogy’s first installment is a deep dive into a world of aliens, with a beautiful mix of psychic powers, detective work, and sci-fi at its best.