STICKS: Sunshine State by Sarah Gerard

u34+1F!EVWH7ngw7NLVXIcKIKW2pmYA+Gl!w8rbMsYH!BRIAG5OUet9tcq9F2XjffXkZsjELHH1dotzfe59AzyGvF052d2UykJBErmXhkayWsW1OYzkgsRAdZgmVYczuSunshine State by Sarah Gerard (HarperCollins, 2017)

Reviewed by Brenna McPeek

Sarah Gerard’s collection of essays Sunshine State reads as an ode to the living, breathing juxtaposition that is the state of Florida.  In her essays (some personal, some journalistic, some a hybrid of the two) she has her authorial finger on the pulse of the people who live there.  She manages to trace the dreams the state breeds, but also pokes holes in these dreams effortlessly and gorgeously, revealing in the process imperfect portraits of humanity trying its best to grapple with The American Dream. Continue reading

Review: They Can’t Kill Us Until They Kill Us by Hanif Abdurraqib

They-Can_t-Kill-Us-Until-They-Kill-Us_2048x2048They Can’t Kill Us Until They Kill Us by Hanif Abdurraqib (Two Dollar Radio, 2017)

Reviewed by Carl Lavigne

I have heard it said that the best writers are the best listeners, and I believe it because of Hanif Abdurraqib. They Can’t Kill Us Until They Kill Us is a collection of essays ostensibly about music, but Abdurraqib hears what lies beneath the singing and instrumentation. He writes lyrically, elegiacally, about Prince, My Chemical Romance, Migos, and many more, revealing truths no run-of-the-mill magazine music-critic could conjure up in an album review. The essays unearth deep personal connections and experiences that are intertwined with the music they analyze. There’s a soundtrack to every essay in this collection that often takes center stage, trading places at times with recurring themes of growing up, racism, and grief. Continue reading