From Ecocide to Ecopoetics: Can Poetry Save Us From Ourselves?
Written by Leonora Simonovis
In his essay “The Language of the Master,” Paul Kingsnorth argues that language is a form of ecocide because it creates a divide between us and our surrounding reality. The author observes that language “is both our most effective tool and our most powerful weapon.” It can be –and has been– used to manipulate and control others, as well as to impose worldviews and ways of living. It was what colonizers in the Western hemisphere did, and many of the official languages spoken today are living proof of this fact. They have been legitimized and validated, while other languages –indigenous and creole languages, for example– are either in danger of becoming extinct or only spoken at home.
This summer, I took a bit of a break from Drizzle for many reasons. I had a sudden illness and death in my family that shook everyone I loved. I moved my partner across the country to join me in Massachusetts. It was a good break, and a hard one. It was needed. Perhaps it’s the break or it’s just the drizzly fall weather that has me reflecting on this site and its origins, but now that Drizzle has returned from hiatus in full autumnal swing I wanted to take a moment to think and write about why reviewing books is important, and the role it’s played in my life and that it continues to play in the literary world. Continue reading
Plastic: An Autobiography by Allison Cobb (Essay Press, 2015)
Allison Cobb isn’t interested in delivering epiphanies to readers. She’s interested in literature that opens a mystery and a sense of wonder, and offers a container for others to experience that opening. Plastic: An Autobiography, embodies that mysterious and wonderful opening. It was published as a free digital download by Essay Press in September 2015. The book is a part of their “EP Series,” (as in extended play) where authors are given extended space and time to develop book-length projects. At the time of publication, Plastic: An Autobiography comprised of half the material Allison Cobb had written at that point. Continue reading
Sunshine State by Sarah Gerard (HarperCollins, 2017)
Sarah Gerard’s collection of essays Sunshine State reads as an ode to the living, breathing juxtaposition that is the state of Florida. In her essays (some personal, some journalistic, some a hybrid of the two) she has her authorial finger on the pulse of the people who live there. She manages to trace the dreams the state breeds, but also pokes holes in these dreams effortlessly and gorgeously, revealing in the process imperfect portraits of humanity trying its best to grapple with The American Dream. Continue reading