Freeman considers gardening as the ultimate art by discussing the notable gardens of two famous, queer woman artists.
Gardens are both art and autobiography, a landscape of self-expression combined with a love for natural beauty. As the great artist and garden-maker, Claude Monet, once observed, “I perhaps owe becoming a painter to flowers. My garden is my most beautiful masterpiece.”
Frida Kahlo and My Left Leg is an essay collection by Emily Rapp Black that follows two female artists for whom “create or die” and “laugh or die” are important mottos. These artists, Frida Kahlo and Rapp Black herself, live through their share of heartache. They know that art is survival, especially after several “crucible experience[s].” For Kahlo: polio, a “philandering husband,” miscarriages, and a street car crash that is followed by thirty-two operations, including one that leaves her an amputee. For Rapp Black: five surgeries during her childhood (a birth defect requires that, at the age of four, her left leg be amputated), two divorces, and the loss of her first child—her nearly three-year-old son, Ronan—to a terminal illness, Tay Sachs disease.