Everyone love a good puzzle–but in this collection of mysterious microreviews, there’s more to the story than just a carefully woven plot. These four titles take the mystery genre and use it to explore class, gender, race, and revolution. From a man who is searching for the literal woman of his dreams to the subtle tensions between two families–one Black and one white–in apocalyptic Long Island, these stories make you reconsider what the mystery novel can do.Continue reading
Breasts and Eggs by Mieko Kawakami (Europa Editions 2020)
Reviewed by Megan Foster
Three women in Japan wrestle with the nature of the body and the self.
Natsuko is a struggling writer when her older sister, Makiko, and Makiko’s teenage daughter, Midoriko, come to visit for a few days. Makiko has made the journey to Tokyo to explore affordable options for breast enhancements. Midoriko, who hasn’t spoken a word to her mother in six months, privately wrestles with her own changing body and turns to her journal for companionship. A climactic clash occurs between Makiko and Midorko before the two return home, and the narrative flashes forward in time ten years. Natsuko has managed to publish one collection of stories but, even more than her struggle to write a novel, wrestles with her desire to have a child. Without a partner, Natsuko seeks other possible means to fulfill her deepest wish to be a mother as she continues to grow older alone.Continue reading
Sea, Land, Shadow by Kazuko Shiraishi, trans. by Yumiko Tsumara (New Directions Books, 2017)
Reviewed by Clara Guyton
Nicknamed “the Alan Ginsberg of Japan” by Kenneth Rexroth, Kazuko Shiraishi brings readers a sight-seeing drive through the mystical mountains of Japan in her collection Sea, Land, Shadow, complete with sharp turns and curves, moments of awe-inspiring depth and darkness, and instants of effervescent lightheartedness.
“on a mountain road in a traffic jam
I have poetry, so I’m fine…” (8)
The Memory Police by Yoko Ogawa, trans. by Stephen Snyder (Pantheon 2019)
Reviewed by Rebecca Valley
“’Long ago, before you were born, there were many more things here,’ my mother used to tell me when I was still a child. ‘Transparent things, fragrant things… fluttery ones, bright ones…” (3)
In her essay “Fairy Tale is Form, Form is Fairy Tale,” author Kate Bernheimer defines the fairy tale for a contemporary audience – what fairy tales are made of, what doors they can open.
“With their flatness, abstraction, intuitive logic, and normalized magic, fairy tales hold a key to the door fiercely locked between so-called realism and nonrealism, convention and experimental-ism, psychology and abstraction. A key for those who see these as binaries, that is.”