August 2022 Reading Round Up: A Genre Fiction Buffet

It’s August! And we have three remarkably tasty reads that turn genre fiction on its head. This month, you’ll find short stories so delectable you’ll swear some passages came straight from the pages of cookbook. Plus, we’ve got a feminist Western to satisfy all your cowboy cravings and a book of literary science fiction full of violins, Faustian bargains, and donuts. Order up!

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November 2021 Reading Round Up: Fresh Perspectives

This collection of microreviews is a little more eclectic than usual. But these books, which range from history to YA to literary fiction and beyond, share a common thread: the way they ask readers to see the world in new ways. These books offer fresh perspectives through reinvention and retelling, but also by simply narrating from points of view that are rarely heard or respected. This month’s books include a stunning queer retelling of the Peter Pan myth, a genre-bending memoir-cum-historical-treatise on slave revolts, a graphic novel for kids that tackles chronic illness, race, and Latinx culture, and much more. In each story, we are asked to reconsider our old ways of knowing, and make space for new narratives.

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Special Feature: A Cemetery Boys Found Poem

Healing

How long after he was gone would Yadriel be dreaming

The fullness of the family

they didn’t just take all pain

let people feel grief 

it was important 

to honor all those who make this community strong

“¡Mi querido!”

mourn 

loss of a loved one

Why

Growth isn’t a deviation 

growth is more 

a sphere instead of a line


This poem was created using quotes from the book and notes from our Drizzle Summer Book Club discussion on The Cemetery Boys by Aiden Thomas. It was written collaboratively by Ingrid Carabulea, Rey Katz, Tracy Vasquez, Sarena Brown, and Rebecca Valley. You can find the writer bios here. To learn more about the book that inspired the poem, check out our micro review.

Review: Fairest: A Memoir by Meredith Talusan

Fairest: A Memoir. By Meredith Talusan (Viking 2020)

Reviewed by P.A Huff

Autobiography is the most personal genre and the most generous. By definition it favors the up-close gaze. It is the fruit of self-absorption but also the turning of self-centeredness to purposes far beyond narcissism. Ancient writers, who rarely saw their reflection, spoke of the first-person narrative as a kind of mirror for the reader. For centuries, we have been entranced by the near magical link between someone else’s self-disclosure and our own self-empowerment. The Latin for looking glass, speculum, is related to a broad family of intriguing spin-offs such as speculation and introspection but also respect and, charmingly, even spice. Meredith Talusan’s memoir, well seasoned with sharp intelligence and rare powers of awareness, is a courageous gift of self that delivers keen insight into the mystery of visualizing who we are and who we long to be.

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March 2021 Reading Round-Up: All About Love

This is our first reading round-up! Hurray! And after the outpouring of support (and content!) from our community these last few months, we can’t think of a more fitting theme for our first collection of micro-reviews than LOVE.

In this month’s round-up, we’re sharing love stories — stories of queer love, brown and black love, parental love, self-love, love of home. These books teach us that love is sticky and uncertain. Sometimes, it is colored by bias and political violence. Sometimes, we don’t have the language for it. Sometimes, it is wrapped in a heavy blanket of grief. But no matter what shape love takes, the Drizzle team believes that love is valuable. Love stories are valuable. After all, as contributor Katie Centabar wrote in her review of Get a Life Chloe Brown: “In these tough times, we all need love.”

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Review: 77 by Guillermo Saccomanno, trans. by Andrea G. Labinger

77 by Guillermo Saccomanno, trans. by Andrea G. Labinger (Open Letter 2019)

Reviewed by Allison McCausland

Fear makes people do crazy things. When a country is in turmoil politically, its hard to distinguish the clear-cut actions of people as heroic or survivalist. In the case of Professor Gomez, the protagonist of Guillermo Saccomanno’s latest translated work, 77, he acts as more of an active bystander, drawing in the reader through his retrospective narration of his time in Buenos Aires during the Jorge Videla coup d’état in 1977. Saccomanno captures the uncertainty and day-to-day dangers of living in this era with visceral scenes and inner longing for a better life. Translator Andrea G. Labinger keeps the rhetoric in line with Saccomanno’s vision to ground readers in both terrifying and startlingly mundane situations.

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Review: Bestiary by K-Ming Chang

Bestiary by K-Ming Chang (One World 2020)

Reviewed by A. Mana Nava

Bestiary is a nonlinear, multi-generational experiment exploring how stories are passed down from generation to generation. K-Ming Chang plays with narrative structure by blending the epistolary form, fables, oral storytelling, and close third-person narration. In the narrative, the character Mother tells Daughter a story about a hungry tiger who eats toes to explain why she cut hers off and keeps them in a tin. Then, one day Daughter wakes up with a tiger tail. This novel turns impossible tales of rivers impregnating women, flying crabs, and holes carrying letters across the country into a plausible reality. There is no line between fantasy and reality as the two are brilliantly woven together.

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Review: The Seep by Chana Porter

The Seep by Chana Porter (Soho Books 2020)

Reviewed by Edmondson Cole

In Chana Porter’s debut novel, an alien life form known as the Seep doesn’t conquer the planet in a military sense –instead it infiltrates humankind via their drinking water, achieving the “softest invasion” (9) earth (or the sci-fi genre) has ever seen. The effect of this invasion is not what one might expect. Not mind-control or bodily harm, but instead a oneness with the world, the ability to touch objects and feel their past, present, and future. For those under the influence of the Seep, “it was impossible to feel anything except expansive joy, peace, tenderness, and love.” (11) So begins an unconventional take on a classic sci-fi premise, a novel about grief and identity and those hardships of the human condition that persist even in a world where death is an “opt-in procedure” (44) and humanity has been freed to live outside “the old scarcity paradigm.” (13)

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