in the dream house by carmen maria machado (graywolf, 2019)
Reviewed by Rebecca Valley
I know many writers obsessed with houses. Houses contain us; we fill them up with ourselves. We share them with our families, lovers, histories, ghosts. In poetry, stanza is another word for room – this makes each poem a house, a self-contained world of its own.
The Center Cannot Hold: My Journey Through
Madness by Elyn R. Saks (Hachette Books 2007)
Reviewed by Patricia Steckler
Horrifying delusions and auditory hallucinations
did not deter Elyn Saks from her Oxford University Master’s degree studies. Compassionate
psychiatric care in England squired her through. But, later, as a law student
at Yale University and in a psychotic state, Yale psychiatrists “bound both
legs and both arms to a metal bed with thick leather straps” and forced
medication down her throat. Multiple times. She plummeted into despair.
“A sound comes out of me that I’ve never heard before—half groan, half scream, marginally human, and all terror. Then the sound comes out of me again, forced from somewhere deep in my belly and scraping my throat raw. Moments later, I’m choking and gagging on some kind of bitter liquid that I try to lock my teeth against but cannot. They make me swallow it. They make me.” (4)
Take Me With You, Wherever You’re Going by Jessica Jacobs (Four Way Books, 2019)
Reviewed by Risa Denenberg
To read Jessica Jacobs’ newest poetry collection, Take Me with You, Wherever You’re Going (Four Way Books, 2019) is to start out where she began in her first collection, Pelvis with Distance (White Pine Press, 2015; winner of the New Mexico Book Award in Poetry) and left off in In Whatever Light Left to Us (Sibling Rivalry Press, 2016). Each book in this trilogy performs an aria of lesbian love and lesbian sexuality that earns its encore.
Maximum Sunlight by Meagan Day, with photographs by Hannah Klein (Wolfman Books, 2016)
“When Tonopah’s lights appear, I rejoice. I feel I’m alighting on Paris – the streetlamps and the Clown Motel’s flashing marquee bulbs seem astonishingly cosmopolitan. Tonopah is a shaggy little town, but coming in from the desert it looms large, an electric miracle in the annihilating dark.”
In college, I remember an afternoon when a professor of mine, an elegant retired ballerina with a degree in philosophy and a dancer’s walk, turned off all the lights and projected photos of cacti in Death Valley on all four walls of our conical lecture hall. The desert, she said, is a nowhere place. An in-between. It is defined not but what it contains but by what it does not. Continue reading
Body Toxic by Susanne Antonetta (Counterpoint Press, 2002)
Reviewed by Rebecca Valley
This review is part of our special issue on books from and of rural America. For more on this theme, check out the issue here.
“We are the Roof Dwellers, the People Who Speak in Darkness; we’re also the DDT People, the Drink-Cadmium People, the Breathing Isotope People.” (137)
How do we think about our bodies? As moving systems of bone and muscle? As vessels to hold our brains in, or a shell to decorate and present to the world? In an article about politics and our fears about the fragile positioning of our own bodies, philosopher and bioethicist Joel Michael Reynolds writes: “… here’s the catch. We aren’t trapped in our bodies. We are our bodies, as philosophers from Frantz Fanon to Simone Beauvoir have argued. These changing, leaky bodies afford us opportunity and choice. If static or permanent, they’d be less bodies and more stones or gods. To be sure, bodies marked by racism, sexism, cisgenderism, classism, and ableism get trapped.” Continue reading
by Rebecca Valley
In 2017, the U.S. spent more than ever before on natural disaster relief — an astonishing $306 billion. In September and October, as I sat through the first few weeks of my graduate writing program in a peaceful (though unseasonably warm) Massachusetts, three record-breaking hurricanes ravaged the Caribbean and Gulf Coast. Continue reading