The Night Tiger by Yangsze Choo (Flatiron Books, 2019)
Reviewed by Angela Gualtieri
Some stories tell of rich histories and folklore. Others enchant with forbidden romances and evil foes. Others are filled with emotional turmoil and death. And yet, some stories seem to encompass it all.
Set in 1930s Colonial Malaya (current Malaysia), Yangsze Choo’s The Night Tiger follows an eleven-year-old houseboy named Ren, tasked with fulfilling his dead master’s final wish to find his long-since detached finger. Ren only has 49 days to reunite the finger with its earthly body or his master’s soul will roam the Earth forever. Ji Lin, a young apprentice dressmaker moonlighting as a dancehall girl to pay her mother’s debts, accidentally receives one of her dance partner’s lucky charms: a mummified finger. As Ren and Ji Lin walk their destined paths unknowingly toward each other, a strange series of deaths, dreams of the in-between, and whispers of weretigers force them to fight their demons, both internal and external.
Forward: 21st Century Flash Fiction by Megan Giddings (Aforementioned Productions, 2019)
Reviewed by Nora Poole
So often, a collection or anthology sets out to represent the best writing of a given form, genre, or year: Best American This, Best Collected That. Not so in the case of Forward: 21st Century Flash Fiction (Aforementioned Productions, 2019), a collection of short short fiction by writers of color, edited by Megan Giddings.“I’m not really a person who believes in bests,” she explains in her editor’s note. “The point [of this collection] is to show off how many ways a very short story can be written[…], to show that there are many writers out there engaging with the incredible elasticity of flash fiction.”
Five Midnights by Ann Davila Cardinal (Tor, 2019)
Reviewed by Maayan D’Antonio
16-year-old Lupe Dávila is a bi-ethnic “Gringa-Rican” from Vermont on her way to spend the summer in Puerto Rico with her father’s family. Only this time she is going alone, as her father has decided to stay behind. Lupe is desperate to experience Puerto Rico without the constraints of her uncle, the police chief, who is in the middle of a very perplexing murder case. And though he and Lupe often discuss his cases, as they both share a love of solving murders, this time he refuses to talk with her about it.
The Proposal by Jasmine Guillory (berkley books, 2018)
Reviewed by Katie Centabar
Every once in awhile there is a book that makes you giggle, flush with embarrassment and curl your toes. I remember them from reading as a teen. Specifically, Sarah Dessen whose books always promised a teen new in town who 1) meets someone who is misunderstood, 2) experiences a traumatic loss and must start over, or 3) both – and drama and hilarity ensue. Jasmine Guillory writes those books for an adult audience.
in the dream house by carmen maria machado (graywolf, 2019)
Reviewed by Rebecca Valley
I know many writers obsessed with houses. Houses contain us; we fill them up with ourselves. We share them with our families, lovers, histories, ghosts. In poetry, stanza is another word for room – this makes each poem a house, a self-contained world of its own.
The Bride Test by Helen Hoang (Penguin Random House 2019)
Reviewed by Patricia Steckler
I have never encountered a person who is not fully human in 35 years of private practice as a clinical psychologist. Diagnoses, country-of-origin, race, religion, and financial status do not define people. Not at all. Why do we say that a person has cancer or has arthritis and, conversely, say that a person is autistic or is an immigrant as if those labels completely define them?
Assigning labels condemns people
to a marginalized purgatory. Perceived to be less than human, unable to love or
feel pain, they’re relegated to the sidelines of life and deemed to be odd,
bizarre, even dangerous.
Forgiveness Forgiveness by Shane McCrae (Factory Hollow Press 2014)
Reviewed by Rebecca Valley
In the past few months, I have read two books by Shane McCrae. First, I read his latest collection In the Language of My Captor – a series of persona poems and loosely autobiographical musings which focus on the complicated nature of race and racism in American history. I fell in love with the way McCrae refuses to bow down to stereotypical narratives of what it means to be black. As a mixed-race man raised by white grandparents, McCrae explores is own nuanced identity beside the identities and imagined experiences of African Americans kept in cages by white museum curators, all the while refusing to preference once experience of blackness in America over another. In In the Language of My Captors, McCrae acknowledges the complicated nature of communicating this spectrum of black experience in the language of white Europeans – this is particularly true when thinking about poetry as a genre whose canon is made up almost entirely of white, male faces.
SPECIAL FEATURE #2: STICKS
Writing from rural America
Lately, I have been thinking about the idea of many Americas. I mean, I have been thinking about the America I know and the one I live in now, and all the Americas I’ve never experienced, and how they fit together under this umbrella, under one leader, under one name. Continue reading
Tell Me How it Ends: An Essay in 40 Questions by Valeria Luiselli (Coffee House Press, 2017)
Reviewed by Rebecca Valley
In Tell Me How it Ends, novelist Valeria Luiselli sheds the cloak of fiction to write a different kind of narrative – one that, as the author’s daughter discovers, doesn’t have a neat ending. The book tackles Luiselli’s experience volunteering at an immigration court in New York City, where she translated the answers migrant children gave to the questions that stood between a return to their home country and the promise of a new life in the United States. Continue reading