A Brief Disclaimer: Susan, author of Whiskey Letters (Arroyo Secco Press 2018) and I met in college while attending California State University of Long Beach. We had just about every class together, and so our friendship was sealed by fate. I have heard many stories from these pages firsthand and I have seen many of the pieces which appear in Whiskey Letters in their earliest drafts. I have also witnessed her personal growth and artistic development as a friend and fellow poet.Continue reading
Sea, Land, Shadow by Kazuko Shiraishi, trans. by Yumiko Tsumara (New Directions Books, 2017)
Reviewed by Clara Guyton
Nicknamed “the Alan Ginsberg of Japan” by Kenneth Rexroth, Kazuko Shiraishi brings readers a sight-seeing drive through the mystical mountains of Japan in her collection Sea, Land, Shadow, complete with sharp turns and curves, moments of awe-inspiring depth and darkness, and instants of effervescent lightheartedness.
“on a mountain road in a traffic jam
I have poetry, so I’m fine…” (8)
From Ecocide to Ecopoetics: Can Poetry Save Us From Ourselves?
Written by Leonora Simonovis
In his essay “The Language of the Master,” Paul Kingsnorth argues that language is a form of ecocide because it creates a divide between us and our surrounding reality. The author observes that language “is both our most effective tool and our most powerful weapon.” It can be –and has been– used to manipulate and control others, as well as to impose worldviews and ways of living. It was what colonizers in the Western hemisphere did, and many of the official languages spoken today are living proof of this fact. They have been legitimized and validated, while other languages –indigenous and creole languages, for example– are either in danger of becoming extinct or only spoken at home.Continue reading
Northwood by Maryse Meijer (Catapult, 2018)
Reviewed by Michelle Mitchell-Foust
Where to begin? Some novels, upon first reading, begin a return.
The return I make when I read Maryse Mejia’s Northwood unravels as I keep reading. I am driven to return to a place and time, to a person, not merely to remember. And I am driven to “answer” the novel….
One “answer” to the novel Northwood is a return to a bundle of leaves, a bundle of love letters.Continue reading
The After Party by Jana Prikryl (Tim Duggan Books, 2016)
Reviewed by Hannah Wyatt
A couple of weekends ago, while wandering through the statuesque dinosaurs and food trucks of my new city, I picked up a $1 copy of Jana Prikryl’s The After Party (Tim Duggan Books, 2016) at a tent sale hosted by Pittsburgh’s Carnegie Library. This being my first read of Prikryl’s work, I was delighted to find that, within the first few lines of the collection, I felt I was reading someone who cared about the world I care about.Continue reading
How to Pull Apart the Earth by Karla Cordero (Not A Cult, 2018)
Featured in Oprah Magazine under the title “17 of the Best Poetry Books, as Recommended by Acclaimed Writers for National Poetry Month” How to Pull Apart the Earth is described by writer Laura Villareal as a journey into “the collective memory found in [the author’s] personal history, reminding us that we are rooted in the same familial tenderness.” The beautifully written 71 poems speak to the author’s identity as a Chicanx/Latinx woman raised in the border town of Calexico and themes of family, migration, and awareness, as well as identity and belonging, are seamlessly weaved throughout.Continue reading
Take Me With You, Wherever You’re Going by Jessica Jacobs (Four Way Books, 2019)
Reviewed by Risa Denenberg
To read Jessica Jacobs’ newest poetry collection, Take Me with You, Wherever You’re Going (Four Way Books, 2019) is to start out where she began in her first collection, Pelvis with Distance (White Pine Press, 2015; winner of the New Mexico Book Award in Poetry) and left off in In Whatever Light Left to Us (Sibling Rivalry Press, 2016). Each book in this trilogy performs an aria of lesbian love and lesbian sexuality that earns its encore.Continue reading
Ends of the earth by kate partridge (university of alaska press, 2017)
Reviewed by Bianca Glinskas
Walt Whitman once described a poem as, “a place to enter, and in which to feel.” While reading Kate Partridge’s Ends of the Earth, I experienced this profound sense of transportation, and emotional surrender–the escapism and vulnerability Whitman refers to. Ends of the Earth is a portal which delivers readers into a poet’s imagination: the inventive, intangible tedium of the poet’s inner-workings, which transform attempts to make sense of the world into an art.Continue reading