“Just Dandy: ” A Review of I’ve Seen the Future and I’m Not Going: The Art Scene and Downtown New York in the 1980s by Peter McGough (Pantheon 2019)
Review by Michael Quinn
Peter McGough and his partner (in business and romance) David McDermott rose to prominence in the 1980s New York art scene. Their paintings have a vintage feel with a contemporary twist (a still life of flowers has the blossoms arranged into the shape of a dollar sign). Their later photography has a much more mysterious feeling, truer to whatever periods they were aping. Mentored by Julian Schnabel, their work appeared in three Whitney Biennials and graced a 1986 cover of Artforum.
The Gravity of Us by Phil Stamper (bloomsbury 2020)
Reviewed by Madeleine Nowak
If I really wanted to do Phil Stamper’s debut YA novel The Gravity of Us justice, I’d pull out my phone and video myself live walking through the streets of New York City while I shared my thoughts with you. To review the book this way would be the best homage to Cal, the wonderful narrator Stamper has crafted, a social-media-savvy, budding seventeen year-old reporter from Brooklyn who suddenly finds himself transplanted to Clear Lake, Texas when his dad is picked as an astronaut candidate for NASA’s first mission to Mars. In Clear Lake, Cal is pulled away from everything he loves from Brooklyn, but unexpectedly brought closer to Leon, the son of another astronaut and the perfect love match for Cal.
Once & Future by Amy Rose Capetta and Cori McCarthy (Little, Brown, and Co., 2019)
Reviewed by Maayan D’Antonio
Ari Helix is a refugee who has no impulse control. So when she sets off alarms
she shouldn’t have on Heritage, a spaceship that belongs to the
tyrannical Mercer Company, she and her brother Kay escape from the ship and
hide on Old Earth, now a desolate planet. But when Ari pulls Excalibur from a gnarled
tree, she unknowingly sets into motion a new cycle of the King Arthur legend. A
cycle she doesn’t know has anything to do with her.
in the dream house by carmen maria machado (graywolf, 2019)
Reviewed by Rebecca Valley
I know many writers obsessed with houses. Houses contain us; we fill them up with ourselves. We share them with our families, lovers, histories, ghosts. In poetry, stanza is another word for room – this makes each poem a house, a self-contained world of its own.
Her Body and Other Parties by Carmen Maria Machado (Graywolf Press, 2017)
Reviewed by Rebecca Valley
I’ll begin by saying what I want: a world where we can all recognize that women are the true and most honorable proprietors of horror writing.
I’ll begin this way because I think Carmen Maria Machado proves it. In order for horror to be truly horrifying, it has to be earned. It has to dig into the sensitive skin under our fingernails, on our bellies, the places where we store our most reasonable and our most plausible fears. The ones that, when touched, send out a sharp alarm in our brains, and we realize we’ve been waiting for this moment to come. Continue reading
Queen of Pentacles by Audrey T. Carroll (Choose the Sword Press, 2016)
When looking through my tarot deck one night, I picked out the Queen of Pentacles card and thought about her meaning. When upright, she is motherly, down-to-earth, and warm—when reversed, she is a woman in a toxic environment, neglected and imbalanced. Her identity, along with all the good and bad it comes with, permeates Queen of Pentacles, Audrey T. Carroll’s first poetry collection about mental illness, being queer, and the healing (as well as the destruction) that comes from the feminine self. Continue reading